Cemetery Dance p-9 Read online

  Chapter 52

  It was four o'clock in the morning when D'Agosta and Pendergast arrived at the waiting room of the morgue annex. Dr. Beckstein was already waiting for them, looking strangely chipper. Or maybe, D'Agosta thought, he was just used to hanging around a morgue in the dead of night. D'Agosta felt like hell; he wanted nothing more than to go home and crawl into bed.

  And yet that was the very last thing he could do. Things were happening almost faster than he could process them. Of all the recent events, by far the worst — to him, anyway — was the kidnapping of Nora Kelly, not a clue to her whereabouts, the officer assigned to protect her drugged with spiked coffee and his body locked in Nora's bathroom. Once again, he'd failed her.

  And now, this.

  "Well, well, gentlemen," Beckstein said, snapping on a pair of gloves. "The mystery deepens. Please, help yourselves." And he nodded toward a nearby bin.

  D'Agosta tied on scrubs, donned a mask and surgical cap, and slipped on a pair of gloves. The feeling of dread increased as he tried to ready himself for the fresh ordeal he was about to endure. He had a hard time viewing morgue stiffs under the best of circumstances. Something about the mix of dead cold flesh, the clinical lights, and the gleam of steel made his stomach churn. How was he going to handle this one — when descriptions of the man while still ambulatory were enough to bring up anyone's lunch? He glanced over at Pendergast, now swathed in green and white, looking more like a morgue customer than a visitor. He was right at home.

  "Doctor, before we go in" — D'Agosta tried to keep his voice casual—"I have a few questions."

  "Of course," said Beckstein, pausing.

  "The body was found in Inwood Hill Park, right? Not far from the Ville?"

  Beckstein nodded. "Two teenage boys made the discovery."

  "And you're certain about the ID on the victim? That the corpse is Colin Fearing?"

  "Reasonably certain. The doorman of Fearing's building gave us a positive identification, and I consider him a credible witness. Two tenants who knew Fearing well also identified the body. It displays the correct tattoo and birthmark. Just to be sure, we've ordered DNA tests, but I'd stake my career on this being Colin Fearing."

  "So the first corpse — the suicide, the bridge jumper? The one Dr. Heffler identified as Fearing? How'd that happen?"

  Beckstein cleared his throat. "It would seem Dr. Heffler made a mistake — an understandable mistake, under the circumstances," he added hastily. "I certainly would have accepted the identification of a sister as definitive."

  "Intriguing," murmured Pendergast.

  "What?" asked D'Agosta.

  "It makes one wonder what body Dr. Heffler did, in fact, autopsy."

  "Yeah."

  "The misidentification," said Beckstein, "is not so uncommon. I've seen it several times. When you combine grief and shock of the loved ones with the inevitable changes that death brings to the body — especially immersion in water or decomposition in the hot sun…"

  "Right, right," said D'Agosta hastily. "Except external evidence points to this being a deliberate fraud. And on top of that, Dr. Heffler was slovenly in establishing the sister's identity, too."

  "Mistakes happen," said Beckstein lamely. "I have found that arrogance, of which Dr. Heffler suffers no paucity," intoned Pendergast, "is the fertilizing manure for the vineyard of error."

  D'Agosta was still parsing this last sentence when Beckstein gestured for them to follow him into the autopsy room. Inside, the body of Fearing lay on a gurney under a harsh light, and D'Agosta was hugely relieved to find that a white plastic sheet covered it.

  "I haven't started working on it yet," said Beckstein. "We're waiting for the arrival of a pathologist and diener. My apologies for the delay."

  "Think nothing of it," said D'Agosta a little hastily. "We're grateful for the rush job. The body was only brought in around midnight, right?"

  "That's correct. I've done the preliminaries and there are some — ah — curious things about the cadaver." Beckstein fingered the corner of the sheet. "May I?"

  Curious.

  D'Agosta could just imagine what those things might be. "Well—"

  "Delighted!" said Pendergast.

  D'Agosta steeled himself, breathing through his mouth and relaxing the focus of his eyes. This was going to be hideous: a blackened, puffy corpse, flesh separating from the bones, fat melting, fluids draining… God, how he hated corpses!

  There was a brisk ripple of plastic as Beckstein flicked off the sheet. "There," he said.

  D'Agosta forced himself to focus on the cadaver. And was amazed.

  It was the body of a normal — looking person: neat, spotless, and so fresh it could have been asleep. The face was clean — shaven, the hair combed and gelled, the only evidence of death being a nasty bullet wound above the right ear and a few twigs and leaves stuck to the gel on the back of the head.

  D'Agosta looked at Pendergast and saw that the FBI agent seemed as astonished as he was.

  "Well!" said D'Agosta, awash with relief. "So much for your zombiis and walking dead, Pendergast. Like I've been saying all along, this whole thing's a hoax — concocted by the Ville. The guy was probably returning there from a night's fake zombifying and got capped by a mugger."

  Pendergast said nothing, just observed the corpse with glittering, silvery eyes.

  D'Agosta turned to Beckstein. "You got time of death?"

  "An anal probe indicates he'd been dead about two and a half hours when he was found in Inwood Hill Park. That was at eleven, give or take, which would put the time of death around eight thirty."

  "Cause of death?"

  "Most likely the prominent gunshot wound over the right ear."

  D'Agosta squinted. "No exit wound. Looks like a.22." "I believe that's right. Of course, we won't know for sure until we open him up. My preliminary examination indicates he was shot from behind, at point — blank range. No signs of a struggle or coercion, no evidence of bruising, scratching, or binding."

  D'Agosta turned. "What do you make of that, Pendergast? No voodoo, no Obeah, just a piece — of — shit gunshot murder like half the others in this town. Dr. Beckstein, was he killed in situ or the body dumped?"

  "I don't have any information on that, Lieutenant. The first responders rushed the body to the hospital. It was still warm, and they weren't making any assumptions."

  "Right, of course. We'll have to check with the evidence — gathering teams when they're finished." D'Agosta just couldn't keep the note of triumph out of his voice. "It's pretty clear to me that we're dealing with a lot of mumbo — jumbo, rigged up by those sons of bitches in the Ville to scare people away."

  "You mentioned some curious aspects?" Pendergast asked Beckstein.

  "I did. The first one you might find familiar." Beckstein took a pair of tongue depressors from a jar, tore off the sterile coverings, and used them to open the corpse's mouth. There, pinned to the tongue, was a tiny bundle of feathers and hair. It matched, almost exactly, the one found in Bill Smithback's mouth.

  D'Agosta peered at it, disbelieving.

  "And then there was something else. I'm going to need a little help turning over the cadaver. Lieutenant?"

  With huge reluctance, D'Agosta helped Beckstein roll the corpse over. Scrawled between the shoulder blades in thick Magic Marker was a complex, stylized design of two snakes surrounded by stars, X's and arrows, and coffin — like boxes. A weird, spidery drawing of a plant filled the small of the back.

  D'Agosta swallowed. He recognized these drawings.

  "Vévé," murmured Pendergast, "similar to what we saw on the wall of Smithback's apartment. Strange…" He paused.

  "What?" D'Agosta asked instantly.

  Instead of answering directly, Pendergast slowly shook his head. "I wish Monsieur Bertin could see this," he murmured. Then he straightened up. "My dear Vincent, I do not think this gentleman was 'capped by a mugger,' as you put it. This was a deliberate, execution — style killing, for a very sp
ecific purpose."

  D'Agosta stared at him for a moment. Then he turned his gaze back to the body on the table.

  Chapter 53

  Alexander Esteban settled himself into an inconspicuous place at the large Formica table in the shabby "boardroom" of Humans for Other Animals on West 14th Street. There was a bright fall morning outside, but little of it penetrated the room through the one grimy window that looked out on an airshaft. He folded his arms and watched the other board members take their places, accompanied by the scraping of chairs, murmured greetings, the clattering of BlackBerries and iPhones. The smell of Starbucks cinnamon dolce lattes and pumpkin spice Frappuccino crèmes filled the room as everyone set down their venti — size coffee cups.

  The last to enter was Rich Plock, accompanied by three people Esteban didn't know. Plock took up a position at the far end of the room, clasped arms disguising the gravid — like swell of a paunch beneath the ill — fitting suit, his red face sweating behind aviator glasses. He immediately launched into a speech in his high, self — important voice.

  "Ladies and gentlemen of the board, I am delighted to present to you three very distinguished guests. Miles Mondello, president of The Green Brigade; Lucinda Long — Pierson, chairwoman of Vegan Army; and Morris Wyland, director of Animal Amnesty."

  The three stood there, looking to Esteban as if they were straight out of central casting. Rabid idealists, desperate for a cause, completely clueless.

  "These three organizations are co — sponsoring tonight's demonstration, along with HOA. Let us welcome them to our meeting."

  Applause.

  "Please, everyone sit down. This special session of the HOA board is hereby convened."

  A shuffling of papers, many sips of coffee, pencils and legal pads and laptops brought out. There was a call for a quorum. Esteban waited through it all.

  "There is one and only one item on the agenda: the protest march this evening. In addition to the founding organizations, we have twenty — one other groups on board. That's right, ladies and gentlemen, you heard me: twenty — one more! " Plock beamed and looked around. "The reaction's been unbelievable. We're expecting maybe three thousand people — but I'm continuing to interface with other interested organizations and there may be more. Many more." He shuffled a stack of papers out of a folder and began passing them around. "Here are the details. The small diversionary group will convene at the baseball diamonds. Other groups — all listed on the sheet — will gather at the soccer field, the park alongside West Two Hundred Eighteenth Street, along the promenade by the mudflats, and several other nearby locations. As you know, I've secured a permit. We wouldn't be let near the Ville otherwise."

  A murmur, nods.

  "But of course the city authorities have no idea — no idea — just how big a group is going to be assembling uptown. I've made sure of that."

  Some knowing chuckles.

  "Because, ladies and gentlemen, this is an emergency! These sick, depraved people, squatters in our city, aren't just killing animals, but they're obviously behind the brutal murder of Martin Wartek. They're responsible for the murder of two reporters, Smithback and Kidd, and the kidnapping of Smithback's wife. What's the city doing? Nothing.Absolutely nothing! It's up to us to act. So we're going in tonight at six pm. We're going to end this thing. Now!"

  Plock was sweating, his voice was high and his physical presence unimpressive, and yet he possessed the charisma of true belief, of passion and genuine courage. Esteban was impressed. "The detailed plan of the demonstration is on your sheets. Guard them carefully — it would be disastrous if one fell into the hands of the police. Go home, start calling, start e — mailing, start organizing! This is a tight schedule. We gather at six. We move at six thirty." He looked around. "Any questions?"

  No one had questions. Esteban cleared his throat, raised his finger.

  "Yes, Alexander?"

  "I'm a little confused. You're planning to actually march on the Ville?"

  "That's right. We're stopping this: here and now."

  Esteban nodded thoughtfully. "It doesn't say what you plan to do when you get there."

  "We're going to break into that compound and we're going to liberate those animals. And we're going to drive out those squatters. It's all covered in the plan."

  "I see. It's of course true that they are killing — torturing — animals in cold blood. They've probably been doing it for years. But consider: they're likely to be armed. We already know they've murdered at least three people."

  "If they choose violence, we'll respond in kind."

  "You plan to go armed?"

  Plock folded his arms. "I will say this: no one will be discouraged from acting in self — defense — with whatever means they may have brought with them."

  "In other words," said Esteban, "you're recommending that people come armed."

  "I'm not recommending anything, Alexander. I am merely stating a fact: violence is certainly a possibility — and everyone has the right of self — defense."

  "I see. And the police? How will you handle them?"

  "That's why we're gathering at different points and moving in from multiple directions, like an octopus. They'll be overwhelmed before they even know what's going on. Thousands of us, moving en masse through those woods — how are they going to stop us? They can't set up barricades or block our route. They don't have vehicular access except down a single road, and that'll be wall — to — wall with marchers."

  Esteban shifted uncomfortably. "Now, don't get me wrong — I'm against the Ville, you've known that from the start. They're despicable, inhuman. I mean, look at this poor luckless Fearing. Brainwashed into murder, and then shot in the head — probably by the Ville — while trying to crawl back to the very sadists who made him a zombii in the first place. If they can do this kind of thing to Fearing, they can do it to anyone. But if you move in like this, in such an uncontrolled fashion, people might be hurt. Even killed. Have you considered that?"

  "People have already been killed. Not to mention animals — hundreds, perhaps even thousands of them, their throats cut in the most horrific ways. No, sir: we're ending this. Tonight."

  "I'm not sure I'm ready," said Esteban. "This is a pretty radical move."

  "Alexander, we were happy to have you join our organization. We are glad that you've taken a strong interest in our work. We were happy to elect you a member of the board. Your financial generosity is much appreciated, as is your high visibility. But personally, I strongly believe there comes a time when a man or a woman must make a stand. Talk is no longer sufficient. That time isnow. "

  "Once you break into the Ville," said Esteban, "and liberate the animals — what then?"

  "Just what I said. We'll drive the animal murderers out. Where they go is their business."

  "And then?"

  "And then we burn the place, so they can't return."

  At this, Esteban slowly shook his head. "With thousands of people milling outside and inside the Ville, and no access by firefighters, any fire you start may cause dozens of deaths. That place is a firetrap. You'll be killing your own, perhaps, as well as them."

  An uncomfortable silence.

  "I would strongly urge against fire. Just the opposite — I would assign fire control to selected protesters, to guardagainst that possibility. What if the inhabitants are like those nutcases in Waco and set fire to the place themselves, while you're all inside?"

  Another pause. "Thank you, Alexander," said Plock. "I must admit you've made a good point. I retract what I said about fire. We'll tear the place down with our bare hands. The goal is to render it uninhabitable."

  Murmurs of agreement.

  Esteban frowned, then shook his head. "I still can't support this. I'm a well — known figure with a reputation to uphold. I'm sorry, I just can't be associated with an attack like this."

  A shifting of chairs and a faint hiss. "That is of course your right, Alexander," said Plock, his voice cool. "And I must say I'm not entirely
surprised, given the way you dashed cold water on our last encounter with the Ville. Anyone else wish to join Mr. Esteban in bailing out?"

  Esteban looked around. Nobody else moved. He could read the disrespect, even scorn, in their eyes. He stood up and walked out.

  Chapter 54

  As the morning sun streamed in the windows, D'Agosta sat behind his desk, fingers on his computer keyboard, staring at the screen before him. He had been in this position, motionless, for perhaps ten minutes. There were a million things to be done and yet he felt something akin to paralysis. It was as if he were in the eye of a hurricane: all around was frantic activity, but here at the very epicenter of the howling storm there was nothing.

  Suddenly the door to his office opened. He turned to see Laura Hayward step quickly in. He immediately rose to his feet.

  "Laura," he said.

  She closed the door behind her, stepped up to the desk. Seeing the icy look on her face, D'Agosta felt his stomach do an uncomfortable flip — flop.

  "Vinnie, sometimes you can be a selfish bastard," she said in a low voice.

  He swallowed. "What is it?"

  "What is it? I've had my promotion snatched away from me at the last moment. And it's your fault."

  For a moment he looked at her with incomprehension. Then he remembered the conversation he'd had in the corridor of Digital Veracity; the implied threat of the software developer. "Kline," he said, slumping against the desk.

  "You're damn right, Kline."

  D'Agosta looked at her for a moment. Then he lowered his eyes. "What did he do?"

  "He donated five million to the Dyson Fund. On the condition that I be passed over for the task force."

  "He can't do that. It's bribery. It's against the law."

  "Oh, please. You know how this town works."

  D'Agosta sighed. He knew what he should feel — righteous indignation, even rage — but all he felt, suddenly, was weary.